Londres - Angleterre
Topologie du théâtre
Nombre de salles actives: 1
Salle 1: (999) 1960 - Actif
En métro: Holborn (Central/Piccadilly Lines) / Temple (District/Circle Lines)
En bus: High Holborn 8, 19, 38, 22B, 25, 188, 501, 521 / Kingsway 1, 68, 91, 168, 171, 188, 501, 505, 521, X68 / Aldwych/Strand 4, 11, 15, 23, 26, 76, 171, 341
Adresse: Portugal Street, London, WC2A 2HT
Nom: 1911 London Opera House / 1914 National Theatre of England / 1916 Stoll Theatre / 1916 Stoll Picture Theatre / 1960 The Royalty Theatre
1960 - Actif
A theatre has stood on the site since the 17th century. Known as Gibbon's Tennis Court, or the Vere Street Theatre. Mrs Hughes became the first (identified) woman to tread the boards of a London theatre, on 8 December 1660, in a performance of Othello. The company left the theatre in 1663 and there is no record of further plays at the theatre. The building was finally destroyed by fire in 1809.
The Holman Opera Troupe were lessees of the London Opera House. Mr. George Holman, his wife, his daughter Sallie Holman (soprano/principal singer) and another daughter, and two sons, with some others, including William H. Crane and Sallie`s husband Mr. J. T. Dalton, which toured throughout Canada for many years.
At the beginning of the 20th century, the creation of Aldwych and Kingsway, linking High Holborn and Aldwych, destroyed a number of established London playhouses and the site between Portugal Street and Sardinia Street became available. New York-based theatre impresario Oscar Hammerstein I (the grandfather of Oscar Hammerstein II) commissioned Bertie Crewe, to build a new theatre in the Beaux-Arts style. The theatre opened on 13 November 1911 as the London Opera House. It had an approximately 45 feet (13.7 m) by 78 feet (23.8 m) stage, and a capacity of 2,660. As an opera house, it found it difficult to attract audiences from the Royal Opera House, and from 1914–15 the house became the National Theatre of England.
In May 1915 the theatre hosted Vladimir Rosing's Allied Opera Season. Rosing presented the English premiere of Tchaikovsky's The Queen of Spades and introduced Tamaki Miura as Madama Butterfly, the first Japanese singer to be cast in that role.
The theatre was purchased by Oswald Stoll in 1916 and renamed the Stoll Theatre and, for a time, as the Stoll Picture Theatre, housing cine variety until the 1950s. Rose Marie played at the Stoll Theatre in 1942, followed by Kismet and Stars on Ice in 1947. The London transfer of a version of George Gershwin's Porgy and Bess that restored it to an operatic form, took place here on 9 October 1952. Joan of Arc at the Stake was produced in 1954, starring Ingrid Bergman. The theatre closed on 4 August 1957, and was demolished for the construction of an office block.
The present, smaller theatre was built and christened The Royalty Theatre in 1960, located on the basement level of an office building. It was the first West End theatre to be built since the Saville Theatre in 1931. The MGM film Ben Hur played at the theatre in 1961. Mutiny on the Bounty played next, and the theatre was then equipped for screening Cinerama films becoming London's third Cinerama theatre (the others being the Casino Cinerama and the Coliseum Cinerama). The theatre only premièred one Cinerama film, The Golden Head, however. In 1966, the house returned to live theatre use. The Royalty Theatre's only successes were a run of the hit Oh! Calcutta! and a hit production of Bubbling Brown Sugar in the late 1970s. Spectacular 'follies' style shows and 'drag' shows didn't find an audience, and the theatre became used as a TV studio for This is Your Life, but was later bought by the London School of Economics and renamed the Peacock Theatre.
When Sadler's Wells determined to build its new theatre in 1996, the company moved to the Peacock Theatre. After the new Sadler's Wells Theatre opened in 1998, the Peacock became a dance venue for the company. The Rat Pack played at the theatre in 2002, and Doldrum Bay premièred here in 2003. The house is now shared between the London School of Economics (during the day) and Sadler's Wells evening dance productions.
The Peacock Theatre is most noted as the home of one of the West End's most unusual ghosts, a dolphin commonly known as 'Flipper'. An urban myth has grown that during one of Paul Raymond's revues at the theatre in the 1970s, a dolphin was kept in a tank beneath the stage, where it lived permanently and later died from neglect. In fact, this is not true. Indeed two dolphins called 'Pennie' and 'Pixie' were kept in the theatre in a tank for three months for a show called 'The Royalty Folies', which was later renamed 'The Great International Nude Show'. However neither of these animals died whilst at the theatre and at the close of the show the animals were moved to a dolphinarium in the far east. The remnants of the tank and its lifting equipment still remain below the stage and numerous visitors to the theatre claim to have heard a spectral squeaking, not unlike a crying baby when in the vicinity. One possible explanation is that the London Underground passes very close to the substage areas of the theatre and it is noise from the tunnels that creates the sound.
1911 London Opera House / 1914 National Theatre of England / 1916 Stoll Theatre / 1916 Stoll Picture Theatre / 1960 The Royalty Theatre