Pas de biographie disponible.

Compositeur Musique additionelle Librettiste Parolier Metteur en scène Chorégraphe Producteur création Producteur version






Version 1

A Midsummer Night's Dream (2013-09-Noel Coward Theatre-London)

Type de série: Revival
Théâtre: Noel Coward Theatre (Londres - Angleterre)
Durée : 2 mois
Nombre :
Première Preview : Saturday 07 September 2013
Première : Tuesday 17 September 2013
Dernière : Saturday 16 November 2013
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Sheridan Smith (Titania), David Walliams (Bottom), Susannah Fielding (Hermia), Katherine Kingsley (Helena), Stefan Adegbola (Robin Starveling/Cobweb), Stefano Braschi (Demetrius), Padraic Delaney (Oberon/Theseus), Richard Dempsey (Peter Quince/Moth), Henry Everett (Tom Snout/Peaseblossom), Gavin Fowler (Puck/Philostrate), Alex Large (Francis Flute/Mustardseed), Sam Swainsbury (Lysander), Craig Vye (Snug the Joiner/First Fairy), Leo Wringer (Egeus)
Presse : "The production – the penultimate in the Grandage Company's season at the Noel Coward Theatre – is, in the final analysis, a bit too tame, despite the hippies, to release the full wondrously disruptive power of the dream world or reverberate with the after-tremors of its transforming experience. It's undeniably attractive but the spell it casts is not deep."
Paul Taylor for The Independent

"This is an enormously spirited and fast-moving show....Grandage's production is sexy, swift and sure-footed, a constant delight to the eye and never lets us forget that this is a play about the magical capacity for change. "
Michael Billington for The Guardian

"I entered this fourth production in his [Michael Grandage] ambitious season of plays at the Noël Coward with high hopes, only to emerge feeling more than a little disappointed...pacing the show exceptionally fast. At times it feels almost perfunctory, not least in the performance of “Pyramus and Thisbe” which normally provides the play with a blissfully funny climax but here seems both rushed and curiously lacking in comic invention. Much of the problem, here and elsewhere, stems from David Walliams’s Bottom.He has always struck me as a curiously chilly comedian whereas Bottom the weaver should be all warmth, bluster and heart. "
Charles Spencer for The Daily Telegraph

"While the play’s dreamy quality is well realised, there’s not much sense of its darkness, and even in its sexier moments there is an air of efficiency rather than passion. This is a spirited and populist account of a perennial favourite, but it lacks magic."
Henry Hitchings for The Evening Standard

Version 2

Cripple of Inishmaan (The) (2013-06-Noel Coward Theatre-London)

Type de série: Revival
Théâtre: Noel Coward Theatre (Londres - Angleterre)
Durée : 2 mois 2 semaines
Nombre :
Première Preview : Saturday 08 June 2013
Première : Tuesday 18 June 2013
Dernière : Saturday 31 August 2013
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Daniel Radcliffe (Cripple Billy), Ingrid Craigie (Kate Osbourne), Padraic Delaney (Bobbybabby), Sarah Greene (Helen McCormick), Gillian Hanna (Eileen Osbourne), Gary Lilburn (Doctor), Conor MacNeill (Bartley McCormick), Pat Shortt (ohnnypateenmike), June Watson (Mammy)
Presse : "Daniel Radcliffe...fine performance in the title role...The piece is theatrically effective, outstandingly acted and often disgracefully funny... I just wish the play itself wasn’t such a thoroughly nasty piece of work. "
Charles Spencer for The Daily Telegraph

"Michael Grandage's highly adroit revival of this dark, politically incorrect 1997 comedy by Martin McDonagh...Grandage's assured production skilfully disguises the predictable unpredictability of the plot twists...But, for my taste, McDonagh's play wants too much to have its soda bread and eat it. "
Paul Taylor for The Independent

"While Radcliffe is the production’s big draw, there’s a strong sense of ensemble in Michael Grandage's polished revival of Martin McDonagh’s mid-Nineties play. "
Henry Hitchings for The Evening Standard

"It's a knowing play but one which [Daniel] Radcliffe invests with a sense of real feeling. With his twisted left arm and inflexible left leg, he suggests Billy's disability without overstating it. Radcliffe also has the precious gift, vital in a play full of narrative surprises, of seeming artful and vulnerable at the same time."
Michael Billington for The Guardian

Version 3

Danton's Death (2010-07-Olivier Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Olivier Theatre
Durée : 2 mois 3 semaines
Nombre :
Première Preview : Thursday 15 July 2010
Première : Thursday 22 July 2010
Dernière : Thursday 14 October 2010
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Toby Stephens (Danton), Max Bennett, Stefano Braschi, Kirsty Bushell, Jason Cheater, Judith Coke, Emmanuella Cole, Ilan Goodman, Taylor James, Barnaby Kay (as Camille), Gwilym Lee, Elliot Levey (Robespierre), Eleanor Matsuura, Elizabeth Nestor, Alec Newman ( St Just), Chu Omambala, Rebecca O'Mara, Rebecca Scroggs, Jonathan Warde, Ashley Zhangazha, David Beames, Michael Jenn, David Smith
Presse : "This version thins the dramatic texture and turns the play into a character study: one in which the sensual, death-haunted, strangely passive Danton confronts the repressed, life-fearing, remorselessly active Robespierre. That is a vital part of Büchner's play; but to focus so exclusively on that element is to miss the larger point that they are also history's puppets."
Michael Billington for The Guardian

"Certain plays are easier to admire than to love. Danton’s Death (1835), written by Georg Büchner in a fit of revolutionary zeal when he was just 21, indubitably falls into this category."
Fiona Mountford for The Evening Standard

"Thrilling production...a truly gripping drama. "
Charles Spencer for The Daily Telegraph

"Visually arresting and viscerally involving production."
Mark Shenton for The Stage

"'Danton’s Death' is not uplifting or touching but it makes for an interesting, admirably serious evening."
Quentin Letts for The Daily Mail

Version 4

Dawn French: 30 million minutes (2015-11-Vaudeville Theatre-London)

Type de série: Revival
Théâtre: Vaudeville Theatre (Londres - Angleterre)
Durée : 3 semaines
Nombre :
Première Preview : Wednesday 11 November 2015
Première : Thursday 12 November 2015
Dernière : Wednesday 09 December 2015
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Dawn French

Version 5

Dawn French: 30 million minutes (2016-10-Vaudeville Theatre-London)

Type de série: Reprise
Théâtre: Vaudeville Theatre (Londres - Angleterre)
Durée :
Nombre : 6 représentations
Première Preview : Tuesday 18 October 2016
Première : Tuesday 18 October 2016
Dernière : Saturday 22 October 2016
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Dawn French
Commentaires : Dawn French, the Queen of British comedy, is bringing her hugely popular, critically acclaimed show 30 Million Minutes back to London's West End for the final time at the Vaudeville Theatre from 18th October. This really is the last chance to see the award-winning actor, best-selling novelist and all round very funny lady in her one woman show as it returns for one week only.
On bringing back 30 Million Minutes for the final time, Dawn said: "Dredging my lucky pants out of the bottom drawer - I'm very excited about being back in the West End at the Vaudeville Theatre for a final six performances in October."

Version 6

Evita (2012-03-Marquis Theatre-Broadway)

Type de série: Revival
Théâtre: Marquis Theatre (Broadway - Etats-Unis)
Durée : 9 mois 3 semaines
Nombre : 26 previews - 337 représentations
Première Preview : Monday 12 March 2012
Première : Thursday 05 April 2012
Dernière : Saturday 26 January 2013
Mise en scène : Michael Grandage
Chorégraphie : Rob Ashford
Producteur :
Avec : Elena Roger (Eva Perón), Ricky Martin (Ché), Michael Cerveris (Juan Perón), Max von Essen (Magaldi), Rachel Potter (Perón's Mistress), Ashley Amber, George Lee Andrews, Eric L. Christian, Kristine Covillo, Colin Cunliffe, Margot de la Barre, Bradley Dean, Melanie Field, Bahiyah Sayyed Gates, Constantine Germanacos, Laurel Harris, Nick Kenkel, Brad Little, Erica Mansfield, Emily Mechler, Sydney Morton, Jessica Lea Patty, Kristie Dale Sanders, Timothy Shew, Michaeljon Slinger, Johnny Stellard, Alex Michael Stoll, Daniel Torres
Commentaires : When the original principals\' contracts were up, the producers chose to close the show rather than replace them. Before deciding to close, they had hoped for a starry set of replacements. Antonio Banderas, Marc Anthony, Enrique Iglesias, Ramin Karimloo and Raul Esparza were all being considered to play Che, though they were not able to reach any deals. Additionally, Lea Michele and Sierra Boggess were possibilities for the role of Eva (although the producers declined to comment on whether or not either actress was approached).
The production failed to recoup its investment. It would have had to play 63 weeks to return the initial investment. It only played 46 weeks. Budgeted at $9M.
Commentaires longs: The second preview was cancelled when a water main burst in the basement of the Marquis Theatre.

Version 7

Frozen (2017-08-Buell Theatre-Denver)

Type de série: Original
Théâtre: Buell Theatre (Denver - Etats-Unis)
Durée : 1 mois 2 semaines
Nombre :
Première Preview : Thursday 17 August 2017
Première : Thursday 17 August 2017
Dernière : Sunday 01 October 2017
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :

Version 8

Frozen (2018-04-St. James Theatre-Broadway)

Type de série: Original Broadway
Théâtre: St. James Theatre (Broadway - Etats-Unis)
Durée :
Nombre : 26 previews -
Première Preview : Sunday 01 April 2018
Première : Sunday 01 April 2018
Dernière : Monday 31 December 2029
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Commentaires : With costumes and sets sumptuously designed by Christopher Oram, drawing inspiration from its source material as well as Norwegian folklore, the fictional kingdom of Arendelle is brought to stunning, three-dimensional life on stage. In addition, the movie's screenwriter Jennifer Lee has fleshed out the book for the Broadway musical to delve deeper into the torn relationship of the two lead protagonists, sisters Elsa and Anna, whilst the Oscar-winning, husband-and-wife songwriting duo of Robert Lopez and Kristin Anderson-Lopez offer up more than double the amount of songs as those cherished from the animated classic. New additions such as Elsa's anthemic numbers "Dangerous to Dream" and "Monster," as well as Anna's emotionally stirring climax in "True Love," are moving, theatrical alternatives to the infectiously upbeat familiarity of "Love is an Open Door" and "Fixer Upper". And "Do You Want to Build a Snowman?" seems to take on a new level of poignancy on stage. Of course, the show-stealing transformation sequence during Elsa's "Let It Go" number at the end of Act I promises the Disney magic Broadway audiences have grown accustomed to over the years and now demand. Kudos to Finn Ross' video design and Jeremy Chernick's special effects, who spectacularly aid the birth of the Snow Queen and her ice palace under the gaze of the mesmerizing aurora borealis.
Presse : "The problem has nothing to do with the performances, which are never less than professional if seldom much more than that. As Elsa, Caissie Levy booms out her numbers with astonishing aplomb — her “Let It Go” really is sensational — and, as Anna, Patti Murin makes a charming madcap. Both find what nuances they can in characters very narrowly drawn to type. It’s therefore a huge relief, and feels fully genuine, when they get to share a fleeting smile or giggle. That they almost never sing together as they head out on separate adventures is a structural problem no one has solved." Jesse Green for New York Times

"The family-friendly musical “Frozen” — based on the 2013 animated blockbuster that’s made $1.3 billion worldwide — is bound to enchant young fans. After all, it’s cool seeing cartoon heroines Elsa, who blasts blizzards with a wrist flick, and Anna, her adoring but awkward sister, in 3-D. Maybe even better is spending time with huggable snowman Olaf and reindeer Sven. On the other hand, adults, with or without tots, may not be as thrilled by this polished but predictable and wow-free adaptation." Joe Dziemianowicz for New York Daily News

"This Frozen is like Elsa in protective gloves; it plays things safe, and perhaps that will be enough for fans of the movie who want to see some version of it on Broadway. But in its reluctance to embrace its own potential enchantments, the show will likely leave many people lukewarm." Adam Feldman for Time Out New York

"Watching Frozen, the first mental readjustment you have to make is that despite its on-trend female-empowerment thrust and its marriage of traditional stage techniques with technological innovation, this is fundamentally an old-fashioned fairy tale for tykes and tweens. In fact, it has more in common with Disney's pathfinding stage success, Beauty and the Beast, than with the more boldly reimagined shows that followed." David Rooney for Hollywood Reporter

"Caissie Levy is stunning as Elsa, the beautiful princess with the cursed gift to turn her kingdom into ice, and Patti Murin makes a darling Anna, the earthbound princess whose love for her sister is the only thing that can set Elsa free." Marilyn Stasio for Variety

Version 9

Good (1999-03-Donmar Warehouse-London)

Type de série:
Théâtre: Donmar Warehouse (Londres - Angleterre)
Durée : 2 mois
Nombre :
Première Preview : Inconnu
Première : Thursday 18 March 1999
Dernière : Saturday 22 May 1999
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Cymon Allen, Faith Brook, Eva Marie Bryer, Charles Dance, Emilia Fox, lan Gelder, Peter Moreton, John Ramm, Benedict Taylor, Jessica Turner
Commentaires : > 1999 Evening Standard Award nomination: Best Actor (Charles Dance)

Version 10

Grand Hotel (2004-11-Donmar Warehouse-London)

Type de série: Revival
Théâtre: Donmar Warehouse (Londres - Angleterre)
Durée : 2 mois 2 semaines
Nombre :
Première Preview : Friday 19 November 2004
Première : Monday 29 November 2004
Dernière : Saturday 12 February 2005
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Mary-Elizabeth Mastrantonio (Elizaveta Grushinskaya) - Helen Baker (Flaemmchen) - Julian Ovenden (Baron Felix von Gaigern) - Daniel Evans (Otto Kringelein) - Gillian Bevan (Raffaella) - Martyn Ellis (Herman Preysing) - Gary Raymond (Colonel-Doctor) - Sara Annis - Hattie Bayton - David Birrell - John Conroy - Elizabeth Cooper-Gee - Paul Hazel - David Lukas - Graham Macduff - Joseph Noble - Sevan Stephan
Commentaires : Michael Grandage’s scaled-down production in the Donmar was much better received than the original short-run, lavish Dominion Theatre production twelve years earlier - though the book itself was still considered to be a handicap. This time there was much praise for the intimacy of the performances and the emotional appeal of the score.
Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "Well-sung production...how utterly entranced and moved I was....worth a four-star rating"
PAUL TAYLOR for THE INDEPENDENT says, "Michael Grandage's splendid studio-sized version at the Donmar Warehouse hits you with a thrilling, complicitous immediacy."
CHARLES SPENCER for THE DAILY TELEGRAPH says, "It's a stylish and enjoyable production, but... Grandage can't quite disguise the fact that Grand Hotel is often second-rate."
MICHAEL BILLINGTON for THE GUARDIAN says, "It isn't a classic Berlin musical. But it manages to suggest that a hotel offers a microcosm of human experience; and, when the cast lines up against the back wall economically to evoke a disgruntled shareholders' meeting or a depleted ballet-audience, you know you are in the hands of a master director."
BENEDICT NIGHTINGALE for THE TIMES says, "If you ignore many of the lyrics — “here’s the place where the great ones walk, here’s the place where the smart ones talk” — you should enjoy tunes that have a Weimar lilt in keeping both with the period, which is 1928.....But there’s still too much dud dialogue and, if you’ll permit the paradox, too much overblown banality."
ALSTAIR MACAULAY for THE FINANCIAL TIMES says, "A much-needed reminder that a musical can be musically thrilling - and can count as true music drama, too. This new production at the Donmar Warehouse also leaves an intensely stylish visual impression."
LISA MARTLAND for THE STAGE says, "Intimate as the Donmar.....drawing the audience in so close that it is almost impossible not to experience the guests’ feelings of passion, hope and despair."

Version 11

Guys and dolls (2005-06-Piccadilly Theatre-London)

Type de série: Revival
Théâtre: Piccadilly Theatre (Londres - Angleterre)
Durée : 1 an 10 mois 2 semaines
Nombre : 773 représentations
Première Preview : Thursday 19 May 2005
Première : Wednesday 01 June 2005
Dernière : Saturday 14 April 2007
Mise en scène : Michael Grandage
Chorégraphie : Rob Ashford
Producteur :
Avec : Ewan McGregor (Sky Masterton), Jane Krakowski (Miss Adelaide), Douglas Hodge (Nathan Detroit), Jenna Russell (Sarah Browne), Martyn Ellis (Nicely-Nicely), Cory English (Benny), Niall Buggy, Norman Bowman, Matthew Cole, Sevan Stephan
Commentaires : Il s'agit de la version co-produite par le Donmar Warehouse. This revival was very different in approach from the hugely successful National Theatre version, but it was generally regarded as equally as exciting and enjoyable. Ewan MacGregor came in for some mixed reviews, and most of the plaudits were for the American choreographer, Rob Ashford, for creating some of the most exciting dancing to be seen in the West End. Cast changes during the run saw Nigel Harman replace Ewan McGregor, and Nigel Lindsay and Neil Morrissey take over as Nathan Detroit. At the end of its first year further cast changes included Patrick Swayze as Nathan Detroit, Adam Cooper as Sky Masterton, Claire Sweeney as Miss Adelaide, and Kelly Price promoted from the chorus to take over as Sarah Brown. The production ran for almost
two years, and closed on April 14th 2007.

Version 12

Henry V (2013-12-Noel Coward Theatre-London)

Type de série: Revival
Théâtre: Noel Coward Theatre (Londres - Angleterre)
Durée : 2 mois 1 semaine
Nombre :
Première Preview : Saturday 23 November 2013
Première : Thursday 05 December 2013
Dernière : Saturday 15 February 2014
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Jude Law (Henry V), Harry Attwell (Grey/Gower), Jason Baughan (Bardolph/Bates M. Le Fer), Norman Bowman (Nym/Williams), Jessie Buckley (Princess Katharine), Richard Clifford (Ely/King Charles VI), Ron Cook (Pistol), Ian Drysdale (Cambridge/Constable), Noma Dumezweni (Mistress Quickly/Alice), Michael Hadley (Canterbury), Edward Harrison (Westmoreland), Christopher Heyward (Macmorris/Orleans), James Laurenson (Exeter), Ben Lloyd-Hughes (Dauphin/Scroop), Prasanna Puwanarajah (Mountjoy), Matt Ryan (Fluellen), Ashley Zhangazha (Chorus/Boy)

Version 13

Hughie (2016-02-Booth Theatre-Broadway)

Type de série: Revival
Théâtre: Booth Theatre (Broadway - Etats-Unis)
Durée : 3 mois 2 semaines
Nombre :
Première Preview : Monday 08 February 2016
Première : Thursday 25 February 2016
Dernière : Sunday 12 June 2016
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Forest Whitaker (Erie Smith) et Frank Wood (Night Clerk)

Version 14

Lieutenant of Inishmore (The) (2018-07-Noel Coward Theatre-London)

Type de série: Revival
Théâtre: Noel Coward Theatre (Londres - Angleterre)
Durée : 2 mois
Nombre :
Première Preview : Saturday 23 June 2018
Première : Wednesday 04 July 2018
Dernière : Saturday 08 September 2018
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Aidan Turner (as Padraic), Denis Conway (as Donny), Will Irvine (as Christy), Brian Martin (as James), Daryl McCormack (as Brendan) Julian Moore-Cook (as Joey), Charlie Murphy (as Mairead), and Chris Walley (as Davey)
Commentaires : The play premiered at the Other Place Theatre in Stratford-Upon-Avon in 2001, before running at the Barbican and the Garrick Theatre in 2002. It will run in London at the Noel Coward Theatre from 24th June.

Version 15

Merrily We Roll Along (2000-12-Donmar Warehouse-London)

Type de série: Revival
Théâtre: Donmar Warehouse (Londres - Angleterre)
Durée : 2 mois 3 semaines
Nombre : 8 previews - 79 représentations
Première Preview : Friday 01 December 2000
Première : Monday 11 December 2000
Dernière : Saturday 03 March 2001
Mise en scène : Michael Grandage
Chorégraphie : Peter Darling
Producteur :
Avec : Grant Russell (Franklin Shepard), Julian Ovenden (Young Franklin Shepard), Daniel Evans (Charles Kringas), Samantha Spiro (Mary Flynn), Emma Jay Thomas, Anna Francolini, Shona White, David Lucas, Neil Gordon-Taylor, Dean Hussain, Matt Blair, James Millard, Mary Stockley, Zehra Naqvi, Lucy Bradshaw.
Commentaires : This was the first full-scale production of the work in London and was greatly praised, receiving almost unanimous praise from the critics.

> 2000 Critics' Circle Award: Best Director (Michael Grandage)
> 2001 Laurence Olivier Award: Best Actor in a Musical (Daniel Evans)
> 2001 Laurence Olivier Award: Best Actress in a Musical (Samantha Spiro)
> 2001 Laurence Olivier Award: Best New Musical (Merrily We Roll Along)
> 2001 Laurence Olivier Award nomination: Best Theatre Choreographer (Peter Darling)
> 2001 Evening Standard Award nomination: Best Musical (Merrily We Roll Along)
Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says "It's the songs, with the acerbic vitality of words and music, that make the evening swing." THE DAILY MAIL says the production is, "outstandingly well choreographed" and describes the performances as "Stunning".

THE DAILY TELEGRAPH liked the show, saying "Though there are patches of the tune-free dissonance that can make Sondheim a trial rather than a pleasure, there are several songs here that beautifully combine Sondheim's gift for wit, melody and melancholy." However, he did not think the show was anything special saying, "I don't think the show would be in anyone's Top 20 of all-time great musicals..."

THE INDEPENDENT says, "This is a knock-out production."

THE GUARDIAN, describes it as "a glorious show" and says "A famous Broadway flop is shown to be a work of emotional substance."

THE FINANCIAL TIMES says, "A total delight." And goes on to say, "Merrily We Roll Along displays all his(Sondheim) theatrical genius married to an attractive humanity."

THE TIMES says, "A splendidly spirited cast."

LISA MARTLAND for THE STAGE says, the show seemed "fragmented" with the result "that the pace is occasionally to slow.." However, she still thinks the show is a "fine production".

JANE EDWARDES for TIME OUT says, "The real pleasure here, lies in Sondheim's yearning music and lyrics...and not in the somewhat tendentious plot that surrounds them".

JOHN PETER for THE SUNDAY TIMES says, "Michael Grandage's production is warm-hearted, ironical, nimble on its feet and as bittersweet as the lyrics and the book."

Version 16

Passion Play (2000-04-Donmar Warehouse-London)

Type de série:
Théâtre: Donmar Warehouse (Londres - Angleterre)
Durée : 1 mois 3 semaines
Nombre :
Première Preview : Thursday 13 April 2000
Première : Tuesday 18 April 2000
Dernière : Saturday 10 June 2000
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Gillian Barge, Ruth Brennan, Cheryl Campbell, Martin Jarvis, Toni Kanal, Arthur Kelly, James Laurenson, Cherie Lunghi, Francis Maguire, Nicola Walker, Peter Winnall
Commentaires : > 2000 Evening Standard Award: Best Director (Michael Grandage)
> 2001 Critics' Cirde Award: Best Director (Michael Grandage)
> 2001 Laurence Olivier Award nomination: Best Director (Michael Grandage)
> 2001 Laurence Olivier Award nomination: Best Supporting Actress (Gillian Barge)

Transféré au Comedy Theatre (Londres) Juin - Août 2000

Version 17

Passion Play (2000-06-Comedy Theatre-London)

Type de série: West End Transfer
Théâtre: Harold Pinter Theatre (Londres - Angleterre)
Durée : 2 mois
Nombre :
Première Preview : Tuesday 20 June 2000
Première : Monday 26 June 2000
Dernière : Saturday 26 August 2000
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Gillian Barge, Cheryl Campbell, Heather Craney, Nicky Henson, Judith Hepburn, Toni Kanal, Arthur Kelly, James Laurenson, Cherie Lunghi, Tom Marshall, Francis Maguire, Katherine Stark, Nicola Walker, Peter Winnall
Commentaires : > 2000 Evening Standard Award: Best Director (Michael Grandage)
> 2001 Critics' Cirde Award: Best Director (Michael Grandage)
> 2001 Laurence Olivier Award nomination: Best Director (Michael Grandage)
> 2001 Laurence Olivier Award nomination: Best Supporting Actress (Gillian Barge)

Transféré du Donmar

Version 18

Peter and Alice (2013-03-Noel Coward Theatre-London)

Type de série: Original
Théâtre: Noel Coward Theatre (Londres - Angleterre)
Durée : 2 mois 1 semaine
Nombre :
Première Preview : Saturday 09 March 2013
Première : Monday 25 March 2013
Dernière : Saturday 01 June 2013
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Judi Dench (Alice), Ben Whishaw (Peter), Olly Alexander, Ruby Bentall, Stefano Braschi, Nicholas Farrell, Derek Riddell
Presse : "They both [Judi Dench & Ben Whishaw] give beautiful, heart-catching performances in this haunting play that sounds profound notes of loss and grief...poignant and spellbinding production...It’s a beautiful and searching play that will live long in the memory."
Charles Spencer for Daily Telegraph

"Laboured and over-written...The evening strikes me as that true rarity: a Grandage dud."
Paul Taylor for The Independent

"In all honesty I got more out of the performance and Michael Grandage's production than I did out of John Logan's 90-minute play, which is an elegant literary conceit offering surprisingly few revelations.."
Michael Billington for The Guardian

"The play, while admirably high-minded and interesting, is inevitably a bit doom-laden. How can a story which looks back so much, not least on the losses of the First World War, be anything but sorrowful?
Quentin Letts for The Daily Mail

"It feels too wordy – the characters often tell rather than do – while trying to relate so much that happened in the pair's lives to their fictional characters sometimes feels forced.."
Julie Carpenter for Daily Express

"The production is attractive but at times laboured, and the writing is occasionally overblown...Peter and Alice is short – less than an hour and a half, without an interval – yet feels flabby. It’s not Grandage at his best, even if for fans of the stars it may still be a treat."
Henry Hitchings for Evening Standard

Version 19

Photograph 51 (2015-09-Noel Coward Theatre-London)

Type de série:
Théâtre: Noel Coward Theatre (Londres - Angleterre)
Durée : 2 mois 1 semaine
Nombre :
Première Preview : Saturday 05 September 2015
Première : Monday 14 September 2015
Dernière : Saturday 21 November 2015
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Nicole Kidman (Rosalind Franklin), Will Attenborough (James Watson), Edward Bennett (Francis Crick), Stephen Campbell Moore (Maurice Wilkins), Patrick Kennedy (Don Caspar) and Joshua Silver (Ray Gosling)
Presse : "Even if the play could go still further, it proves that science is inherently dramatic and that the neglect of Rosalind Franklin’s contribution to uncovering the secret of life remains a blot on our history." Michael Billington for The Guardian

"Grandage directs it all with characteristically fluid aplomb, placing the action (sometimes using neat, quasi-scientific symmetries) amid a towering set by Christopher Oram that evokes the bombed-out Palladian magnificence of King’s, piles of rubble lapping at arches." Dominic Cavendish for The Telegraph

"In her compelling and subtle performance, Kidman beautifully captures the prickly defensiveness, the lonely dedication, and the suppressed emotional longings of the scientist." Paul Taylor for The Independent

Version 20

Privates on Parade (2001-12-Donmar Warehouse-London)

Type de série:
Théâtre: Donmar Warehouse (Londres - Angleterre)
Durée : 2 mois 3 semaines
Nombre :
Première Preview : Friday 30 November 2001
Première : Monday 10 December 2001
Dernière : Saturday 02 March 2002
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Roger Allam, Nigel Harman, David Hounslow, Wai-Keat Lau, James McAvoy, Hugh Sachs, Justin Salinger, Malcolm Sinclair, Daniel Tuite, Indira Varma, Cari Wu
Commentaires : > 2002 Laurence Olivier Award: Best Actor (Roger Allam)
> 2002 Laurence Olivier Award nomination: Best Actor in a Supporting Rôle (Malcolm Sinclair)
> 2002 Laurence Olivier Award nomination: Best Theatre Choreographer (Scarlett Mackmin)

Version 21

Privates on Parade (2012-12-Noel Coward Theatre-London)

Type de série: Revival
Théâtre: Noel Coward Theatre (Londres - Angleterre)
Durée : 2 mois 3 semaines
Nombre :
Première Preview : Saturday 01 December 2012
Première : Monday 10 December 2012
Dernière : Saturday 02 March 2013
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Simon Russell Beale (Acting Captain Terri Dennis), Chris Chan (Lee), Harry Hepple (Lance Corporal Charles Bishop), Mark Lewis Jones (Sergeant-Major Reg Drummond), John Marquez (Corporal Len Bonny), Brodie Ross (Leading Aircraftman Eric Young-Love), Sam Swainsbury (Flight-Sergeant Kevin Cartwright), Joseph Timms (Private Steven Flowers), Sadao Ueda (Cheng), Angus Wright (Major Giles Flack)
Presse : "Joyous revival...it offers a heady mix of personal memoir, musical parody and jaundiced account of postwar colonial politics "
Michael Billington for The Guardian

"Outstanding production is also blessed with an irresistible star performance from Simon Russell Beale...Gloriously entertaining and often deeply touching"
Charles Spencer for The Daily Telegraph

"Brims with both warmth and extravagance...The show needs a small amount of tightening, and some will find it dated, perhaps even a period piece. But Privates on Parade is a lovely picture of the ways in which the ordinary business of military life is intertwined with agonies and absurdities."
Henry Hitchings for Evening Standard

Version 22

Red (2010-04-John Golden Theatre-Broadway)

Type de série: Original Broadway
Théâtre: John Golden Theatre (Broadway - Etats-Unis)
Durée : 2 mois 3 semaines
Nombre : 22 previews - 101 représentations
Première Preview : Thursday 11 March 2010
Première : Thursday 01 April 2010
Dernière : Sunday 27 June 2010
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Alfred Molina (Mark Rothko), Eddie Redmayne (Ken)

Version 23

Red (2018-05-Wyndham s Theatre-London)

Type de série: Revival
Théâtre: Wyndham s Theatre (Londres - Angleterre)
Durée : 2 mois 2 semaines
Nombre :
Première Preview : Friday 04 May 2018
Première : Tuesday 15 May 2018
Dernière : Saturday 28 July 2018
Mise en scène : Michael Grandage
Chorégraphie :
Producteur :
Avec : Alfred Molina, Alfred Enoch
Commentaires : Alfred Molina reprises his role from the original Donmar production, for which he received a Tony Award nomination for Best Actor in a Play after the show’s New York transfer. Molina is best known for his roles in films such as Raiders of the Lost Ark, The Da Vinci Code and Chocolat. His stage roles include the original Broadway production of Art, and a revival of Fiddler on the Roof.

Alfred Enoch is known for playing the role of Dean Thomas in the Harry Potter film series, as well as a role in the NBC series How to Get Away With Murder. Enoch’s previous screen credits include Coriolanus at the Donmar Warehouse, Antigone at the National Theatre and Happy New at the Old Red Lion.