Pas de biographie disponible.

Compositeur Musique additionelle Librettiste Parolier Metteur en scène Chorégraphe Producteur création Producteur version




Musical
0001 - Little Shop of Horrors (The) (1982)
Musique: Alan Menken
Paroles: Howard Ashman • Howard Ashmand
Livret: Howard Ashmand
Production originale:
12 versions mentionnées
Dispo: Résumé  

Genèse:

Résumé: For years now Little Shop of Horrors has made New York audiences scream with laughter. In this gleefully gruesome musical Seymour, a poor florist's assistant, allows his craving for fame and fortune to seduce him into playing nursemaid to a man-eating plant. Goings on surrounding the growing plant's demand for more, more, MORE are accompanied by witty parodies of sixties music. Between bites, the carnivorous Audrey II, named after Seymour's secret love, brings down the house singing rhythm and blues à la Otis Reading or James Brown!

Création: 27/7/1982 - Orpheum theatre (Broadway (Off)) - représ.



Musical
0002 - Beauty and the Beast (1993)
Musique: Alan Menken
Paroles: Howard Ashmand • Tim Rice
Livret: Linda Woolverton
Production originale:
33 versions mentionnées
Dispo: Résumé  Synopsis  Commentaire  Génèse  Isnpiration  Liste chansons  

According to an article in The Houston Chronicle, "The catalyst for Disney's braving the stage was an article by New York Times theater critic Frank Rich that praised Beauty and the Beast as 1991's best musical.... Theatre Under The Stars executive director Frank Young had been trying to get Disney interested in a stage version of Beauty about the same time Eisner and Katzenberg were mulling over Rich's column. But Young couldn't seem to get in touch with the right person in the Disney empire. Nothing happened till the Disney execs started to pursue the project from their end.... When they asked George Ives, the head of Actors Equity on the West Coast, which Los Angeles theater would be the best venue for launching a new musical, Ives said the best theater for that purpose would be TUTS. Not long after that, Disney's Don Frantz and Bettina Buckley contacted Young, and the partnership was under way."

Genèse: Beauty and the Beast, the musical, is based on the 1991 Disney film of the same name. Seven new songs were written for the stage musical. Beauty ran on Broadway for 5,464 performances between 1994 and 2007, becoming Broadway's eighth-longest running production in history. The musical has played in thirteen countries and 115 cities. Beauty and the Beast premiered in a joint production of Theatre Under The Stars and Disney Theatricals at the Music Hall, Houston, Texas, from November 28, 1993, through December 26, 1993. Original Broadway production) The musical opened on Broadway at the Palace Theatre on April 18, 1994 and ran there until September 5, 1999, transferring to the Lunt-Fontanne Theatre on November 11, 1999, with an official opening date of November 16, 1999. The musical closed on July 29, 2007 after 46 previews and 5,464 performances, and is Broadway's eighth-longest running production in history (as of August 2011). The production holds the record of being the longest running production at both the Palace Theatre, where it opened, and the Lunt-Fontanne Theatre, where it closed its Broadway run. Directed by Robert Jess Roth with choreography by Matt West and assisted by Dan Mojica, the original Broadway cast included Susan Egan as Belle, Terrence Mann as the Beast, Burke Moses as Gaston, Gary Beach as Lumiere and Beth Fowler as Mrs Potts. Orchestrations were by Danny Troob (after his score of the film), scenic designer was Stan Meyer, costume designer Ann Hould-Ward, lighting designer Natasha Katz, sound was by T. Richard Fitzgerald, hair designer David H. Lawrence, and prosthetics were by John Dods. Illusions were by Jim Steinmeyer and John Gaughan, and pyrotechnic design was by Tyler Wymer. The Broadway production closed to make way for Disney's next musical venture, The Little Mermaid. With Disney set to open its Broadway version of The Little Mermaid on November 3, 2007 at the time, it was believed that having two Disney film of the same style I.E. Princesses on Broadway at the same time would divide audiences and cause competition between the two shows. At this point, Disney had three shows running at the same time: Beauty and the Beast, The Lion King, and Tarzan. It was reported that Disney Theatrical planned to revive the show on Broadway for the 2008 holiday season, but Disney did not pursue this. Original London production The West End production opened at London's Dominion Theatre on April 29, 1997 and closed on December 11, 1999. Featured were Julie Alanah Brighton as Belle, Alasdair Harvey as the Beast, Burke Moses reprising his role as Gaston, Derek Griffiths as Lumiere, Mary Millar as Mrs Potts, Norman Rossington as Maurice, Barry James as Cogsworth, Di Botcher as Madame De La Grande Bouche, Richard Gauntlett as Lefou and Rebecca Thornhill as Babette. Notable replacements included Michelle Gayle and Annalene Beechey as Belle and John Barrowman and Earl Carpenter as the Beast, Alex Bourne as Gaston and Terry Doyle as Maurice. The show won the Olivier Award as Best New Musical for 1998. National tours The show had three US national tours. The first opened on November 15, 1995 and closed in 1999. It featured Kim Huber as Belle and Fred Inkley as the Beast. The second national tour opened in 1999 with Susan Owen as Belle and Grant Norman as The Beast. This production closed in 2003. The third national tour opened in 2001 and closed in 2003. This production starred Jennifer Shraeder as Belle and Roger Befeler as the Beast. Notable replacements on the tours have included Sarah Litzsinger, Erin Dilly and Danyelle Bossardet as Belle. The three touring companies visited 137 venues in 90 North American cities. About 5.5 million people in the United States and Canada saw these tours. A fourth national tour of Beauty and the Beast began February 2010, opening in Providence, Rhode Island starring Liz Shivener as Belle and Justin Glaser as The Beast. The UK National tour (prior to the closure of the West End Production in 1999) began on November 2, 2001 at the Empire Theatre in Liverpool with stops in Bristol, Birmingham, Dublin, Southampton, Manchester and ended on April 12, 2003 at the Playhouse Theatre in Edinburgh. The tour starred Annalene Beechey (reprising her role from the London Production) as Belle, Alistair Robins as the Beast, Ben Harlow as Gaston, Julia Goss as Mrs Potts, Stephen Matthews as Lumiere Barry James (reprising his role from the London Production) as Cogsworth, Billy Boyle (reprising his role from the London Production) as Maurice, Karen Davies as Madame De La Grande Bouche, Kate Graham (reprising her role from the London Production) as Babette, Anthony Clegg as Lefou and Oliver Taylor and Sion Eifion sharing the role of Chip. Notable replacements included Dianne Pilkington as Belle, Alex Bourne as the Beast, Earl Carpenter as Gaston, Marilyn Cutts as Mrs Potts, Richard Tate as Maurice and Drew Varley as Lefou. In October 2005, UK Productions produced a UK Tour of the show which ended in January 2010. The original cast included Katie Rowley Jones as Belle, Nic Greenshields as The Beast and Michael Quinn as Gaston. Notable replacements have included Jo Gibb and Ashley Oliver as Belle, Matthew Cammelle and Shaun Dalton as the Beast and Ben Harlow (who reprised his role from the Original Disney UK Tour as Gaston). The tour also visited other countries such as Malaysia and Greece. Other productions Los Angeles: A Los Angeles production opened at the Shubert Theatre on April 12, 1995 and closed on September 29, 1996. Most of the original Broadway cast, including Susan Egan, Terrence Mann, Gary Beach, Beth Fowler, Burke Moses and Tom Bosley reprised their roles. Notable replacements included James Barbour as the Beast. The sets in this production were widely considered to be the largest out of all the musical's productions in the world. After the show closed in Los Angeles, all of the sets were transferred for the production in Mexico City in 1997.[citation needed] Canada: The Toronto production opened at the Princess of Wales Theatre on August 8, 1995 and closed in 1998. The production starred Kerry Butler as Belle and Chuck Wagner as the Beast, and Terry Doyle as Maurice. Notable replacements included Melissa Thomson as Belle and Steve Blanchard as the Beast. The lesser known Halifax production at the Neptune Theatre was the longest running production in the theatre's history. International productions In 1995, the musical began its original Australian run in Melbourne at The Princess Theatre, before moving on to Sydney. The original Australian cast included Michael Cormick as The Beast, Rachael Beck as Belle, Hugh Jackman as Gaston, and Ernie Bourne as Maurice. In South America, Brazil was the second country to host the musical. Disney had plans to bring it to the country in 1999, after the success in Argentina, but nobody really knew if it would work. Three years later, in 2002, Beauty and the Beast finally opened in Brazil at Teatro Abril, one of the biggest theaters in the country. It was a huge hit, for more than one and a half years, it was presented with Kiara Sasso, playing Belle and Saulo Vasconcelos playing the Beast. In 2009, a new Belle and a new Beast were cast, Lissah Martins and Ricardo Vieira, as the musical came back to Brazil, Kiara Sasso was playing Maria in The Sound of Music and Saulo was Captain Von Trapp. Beauty and the Beast remained for six months at Teatro Abril. Even though the play was brought back as a way to try to recoup some of the money lost in Brazilian's version of Miss Saigon, this second encarnation of Beauty And The Beast failed to create any critical buzz, or to be a Box Office success. In Spain there have been two productions of the show. The first one, based on the original Broadway production, had its Madrid debut on December 2, 1999 at Teatro Lope de Vega. The original cast included Xenia Reguant (later replaced by Julia Möller) as Belle, Carlos Marín (later replaced by Joe Luciano) as Beast, Lisardo Guarinos (later replaced by Manuel Bandera) as Gaston, Víctor Ullate Roche as Lefou, Germán Torres as Lumiere, Kirby Navarro as Mrs Potts, David Venancio Muro as Cogsworth, Dulcinea Juárez as Babette, Laura Inclán as Madame de la Grande Bouche and Miguel de Grandy as Maurice. After a successful run of 27 months and about 900 performances, the production finally closed on March 3, 2002, becoming the longest-running musical ever in Madrid. More recently, its record was surpassed by Mamma Mia!, Hoy no me puedo levantar and Sam Mendes' Cabaret. In 2007, a second version produced by Stage Entertainment premiered on October 3, at Teatro Coliseum, Madrid, for a limited run of 6 months, but the closing was postponed due to a successful season. The original cast included Julia Möller reprising her role as Belle (later replaced by María Adamuz), David Ordinas as Beast, Pablo Puyol as Gaston, Raúl Peña as Lefou, Armando Pita as Lumiere, Angels Jiménez as Mrs Potts (later replaced by Rita Barber), Esteban Oliver as Cogsworth, Silvia Luchetti as Babette, María José Oquendo as Madame de la Grande Bouche and Lorenzo Valverde as Maurice. The production closed on January 11, 2009 and was transferred to Barcelona, where it ran from February 26, 2009 to January 10, 2010, at BTM, with some changes in the cast, including Mercè Martínez as Mrs Potts, Marta Capel as Babette and Albert Muntanyola as Maurice. According to Disney, Beauty and the Beast has performed around the world in a total of 14 countries in 116 cities including Argentina (1998 and 2010), Australia (1995), Austria (1995), Brazil (2001 and 2009), Canada (1995), China (1999), Germany (1997), Ireland (2002 as part of the UK National Tour), Japan, (1995), Mexico (1997), Israel (2006), South Korea (2004), Spain (1999 and 2007), Poland (2008) and the United Kingdom (1997). In 2005, Disney and Stage Entertainment produced a new version of the show using brand new sets and costumes. After touring Holland and playing in Antwerp, Belgium, Disney and Stage Entertainment brought the show to Berlin, Germany in 2006 after a (aprox.) one year-run at the Metronom Theater in Oberhausen. This production opened in 2007 in Madrid, Spain and in 2009 in Milan, Italy, with Arianna as Belle and Michel Altieri as the Beast. The Broadway production played a second time in Mexico City beginning in September 2007 and in Hiroshima, Japan beginning in February 2008. It opened in South Africa in September 2008. In 2004, Disney began to license the show to other companies for touring, and the show has been performed by professional and amateur companies in many countries.

Résumé: Pour sauver son père, enfermé au château d'une bête monstrueuse, Belle accepte d'être emprisonnée à sa place. La Bête n'est en fait qu'un malheureux prince, victime d'un sort. La rose enchantée qu'il possède perd un à un ses pétales et sa seule chance de redevenir humain est d'aimer et d'être aimé en retour avant la chute du dernier pétale. Belle fait la connaissance des habitants du château, eux aussi sous le coup du sort qui les transforme peu à peu en objets. Tous se liguent - avec succès - pour que les deux jeunes gens tombent amoureux l'un de l'autre et brisent la malédiction mais c'est compter sans Gaston. Ce bellâtre veut épouser Belle et tuer La Bête. A l'issue d'un terrible combat sur le toit du château, Gaston est précipité dans l'abîme mais la Belle est blessée au moment où le dernier pétal tombe. Mais le pouvoir de l'amour est si fort qu'il redonne à La Bête son apparence initiale et Belle et lui peuvent enfin se marier.

Création: /11/1993 - Theatre Under the Stars (Houston) - représ.



Musical
0003 - Hunchback of Notre Dame (The) (1999)
Musique: Alan Menken
Paroles: Stephen Schwartz
Livret: James Lapine
Production originale:
4 versions mentionnées
Dispo: Synopsis  Liste chansons  

The musical premiered in 1999 in Berlin, Germany as Der Glöckner von Notre Dame. It was produced by Walt Disney Theatrical, the company's first musical to premiere outside the U.S. It ran for three years, becoming one of Berlin's longest-running musicals. The English-language musical The Hunchback of Notre Dame opened at La Jolla Playhouse in San Diego, California on October 26, 2014 and ran until December 14, 2014. Subsequently, the show went on to open on March 15, 2015 at the Paper Mill Playhouse in Millburn, New Jersey. The show closed on April 5, 2015, after it was announced that the show would not move to Broadway.

Genèse:

Résumé:

Création: 5/6/1999 - Theater am Potsdamer Platz (Berlin) - représ.



Musical
0004 - Aladdin: a musical spectacular (2003)
Musique: Alan Menken
Paroles: Howard Ashman • Tim Rice
Livret: *** Divers *** Divers
Production originale:
1 version mentionnée
Dispo: Synopsis  Génèse  Isnpiration  Liste chansons  

Ce spectacle se joue à l'Hyperion Theater, un théâtre de plus de 2000 places situé au pied de la Tower of Terror au bout de la reproduction de l'Hollywood Boulevard, dans le parc Disney California Adventure en Californie. La salle rappelle les salles du début du XXe siècle ainsi que les théâtres classiques. Durant le spectacle, très inspiré des comédies musicales de Broadway, plusieurs des scènes et chansons du film Aladdin (1992) sont reproduites sur scène. Alan Menken composa une chanson supplémentaire pour ce spectacle nommée To Be Free. Les scènes présentées utilisent des accessoires comme des tapis volants, une têtre de tigre géante,... Le spectacle possède aussi une particularité qui le rend très populaire : les dialogues du Génie ne sont pas fixe et reflèete la culture populaire.

Genèse: The production is a Broadway-type show. Many of the classic scenes and songs from the movie are re-created on stage and some of the action even spills out into the aisles, like Prince Ali's jubilant arrival in Agrabah on elephant back. Flying carpets, magic lamps, wise-cracking genies, princesses, and evil wizards - are all a part of this musical production. This 45 minute production takes place in the 2,000 seat Hyperion Theater, located at the end of Hollywood Blvd. The exterior has design features reminiscent of many classic theaters. Alan Menken composed and wrote lyrics for a new song for this production, called To Be Free. The show has been quite popular because while much of it is scripted, the dialogue of the Genie constantly changes to reflect popular culture. When Disney's California Adventure opened, an original Disney musical called Disney's Steps in Time was on stage at the Hyperion. A scaled-down version of the musical Blast! Followed.

Résumé:

Création: 16/1/2003 - Hyperion Theater (Disney's California Adventure.) - représ.



Musical
0005 - Sister Act (2006)
Musique: Alan Menken
Paroles: Glenn Slater
Livret: Bill Steinkellner • Cherie Steinkellner
Production originale:
13 versions mentionnées
Dispo: Résumé  Synopsis  Génèse  Liste chansons  

Genèse: Original productions, Pasadena and Atlanta The musical premiered at the Pasadena Playhouse in Pasadena, California on October 24, 2006 and closed on December 23, 2006. It broke records, grossing $1,085,929 to become the highest grossing show ever at the venue. Patina Miller, who would later go on to play the role of Deloris when the show opened in London, was in the ensemble and understudied Deloris. The musical was directed by Peter Schneider, developed by Schneider and Michael Reno, choreographed by Marguerite Derricks, with set design by David Potts, costumes by Garry Lennon, lighting by Donald Holder, and sound by Carl Casella and Dominick Sack. Charles McNulty of the Los Angeles Times wrote that the musical has "Broadway blockbuster written all over it," and Laurence Vittes described it as "hugely entertaining... likely to become a classic" in The Hollywood Reporter. Jonas Schwartz (Theatremania.com) was less enthusiastic, saying it "suffers from a bit of an identity crisis. When focused within the confines of the church and the convent, the show is heavenly, singing loudly and confidently. However, the scenes that take place in the outside world are painted with unnecessarily broad and occasionally offensive strokes. Moreover, Dawnn Lewis lacks punch in the lead role of Deloris Van Cartier... [she] is too whiny to fully command the stage." The production then moved to the Alliance Theatre in Atlanta, Georgia, where it ran from January 17 to February 25, 2007. The cast included Dawnn Lewis as Deloris, Elizabeth Ward Land as the Mother Superior, and Harrison White as Curtis. Curt Holman, writing for the Atlanta-based website CreativeLoafing.com, described it as "a whiplash-inducing experience of genuinely clever and exuberant flourishes alternating with cringe-inducing embarrassments.... The weakest parts of Sister Act tend to be the most faithful moments to the film, which makes you wonder what Menken, Slater and the production's delightful design team could have done with original material." Original London production Sister Act opened in the West End at the London Palladium on June 2, 2009, following previews from May 7. The production was directed by Peter Schneider and choreographed by Anthony Van Laast, with set design by Klara Zieglerova, costumes by Lez Brotherston and lighting by Natasha Katz. Following a year-long search, 24-year-old actress Patina Miller was cast as Deloris, alongside Sheila Hancock as the Mother Superior, Ian Lavender as Monsignor Howard, Chris Jarman as Shank, Ako Mitchell as Eddie, Katie Rowley Jones as Sister Mary Robert, Claire Greenway as Sister Mary Patrick and Julia Sutton (later replaced by Jacqueline Clarke) as Sister Mary Lazarus. It was announced on April 29, 2010 that pop singer Simon Webbe of Blue fame would join the cast as Shank on May 31, 2010 and that the production would close on January 1, 2011. It was then announced the show would close on October 30, 2010 to make way for Andrew Lloyd Webber's new musical production of The Wizard of Oz. Chris Jarman took a planned break from the show from May, during which time Webbe played the role of Shank, and Sheila Hancock left on July 31 due to other contractual commitments. All cast members (with the exception of Simon Webbe, who left on August 28) stayed in the show until it closed. Whoopi Goldberg joined the cast as the Mother Superior for a limited engagement that was supposed to last from August 10–31, 2010, but she left the cast on August 27 due to her mother suffering a stroke. Goldberg was then succeeded by Sally Dexter. However, Goldberg returned to the cast for five performances on October 22, 23 and 25. The show closed as announced on October 30, 2010. Original Broadway production A new revised adaptation of the show opened on Broadway at the Broadway Theatre on April 20, 2011, after previews beginning March 24, 2011. Jerry Zaks was the new director with Douglas Carter Beane rewriting the book. (Zaks had previously worked with composer Alan Menken on the 2003 Broadway production of Little Shop of Horrors.) Patina Miller, who originated the role of Deloris in the West End production, reprised the role on Broadway, making her Broadway debut. The original cast featured Victoria Clark (Mother Superior), Fred Applegate (Monsignor), Sarah Bolt (Sister Mary Patrick), Chester Gregory (Eddie), Kingsley Leggs (Curtis), Marla Mindelle (Sister Mary Robert) and Audrie Neenan (Sister Mary Lazarus). On October 12, 2011, Clark left the production for unknown reasons. Her understudy, Jennifer Allen played the role after her departure. Carolee Carmello took over the role of the Mother Superior on November 19, 2011. Raven-Symoné replaced Miller as Deloris on March 27, 2012. The show received multiple Tony Award nominations for the 2011 season, including for Best Musical, Best Actress in a Musical (Miller) and Best Featured Actress in a Musical (Clark). The production closed on August 26, 2012 after 28 previews and 561 performances. Other productions The German adaption of the show opened at the Operettenhaus in Hamburg on December 2, 2010. The role of Deloris Van Cartier is performed by Zodwa Selele (first cast) and Patricia Meeden (alternate first cast). Daniela Ziegler plays the role of Mother Superior, Tetje Mierendorf the role of Bones. Sister Mary Robert is being played by Ina Trabesinger, Sister Mary Patrick by Martin de Jager and Sister Mary Lazarus by Sonya Martin. In December 2012 Sister Act will move from Hamburg to Stuttgart. An Austrian production (German Language) opened at the Etablissement Ronacher in Vienna in September 2011. An Italian production opened in late 2011 at the National Theatre in Milan. It will run through the Theatrical Season (2011-2012). The cast includes Loretta Grace (Deloris), Dora Romano (Mother Superior), Timothy Martin (Eddie), Felice Casciano (Curtis Jackson), Laura Galigani (Sister Mary Robert), Simonetta Cartia (Sister Mary Lazarus), Giulia Marangoni (Sister Mary Patrick), Fabrizio Checcacci (Joey), Massimiliano Pironti (Tj), Giacomo Buccheri (Deniro). In The Netherlands, Sister Act will open in 2013, after the musical Wicked. The role of Deloris van Cartier is performed by Carolina Dijkhuizen,[28] Frans Mulder is the Dutch Monsignor O’Hara and Simone Kleinsma will play the role of Mother Superior in the Dutch adaption. The French production of the show will premier on September 20, 2012 at Paris' Theatre Mogador.

Résumé: When disco diva Deloris Van Cartier witnesses a murder, she is put in protective custody in the one place the cops are sure she won't be found - a convent! Disguised as a nun she quickly finds fans amongst her fellow ‘sisters’ but makes the wrong impression on the convent’s strict Mother Superior. When she turns her attention to the convent’s off-key choir, helping the nuns to find their true voices and breathing new life into the rundown neighbourhood, her cover could be blown for good. With the gang giving chase, is time running out for Deloris? Or have they underestimated the power of her new found Sisterhood?

Création: 24/10/2006 - Pasadena Playhouse (Pasadena) - représ.



Musical
0006 - Little Mermaid (The) (2007)
Musique: Alan Menken
Paroles: Glenn Slater • Howard Ashmand
Livret: Doug Wright
Production originale:
4 versions mentionnées
Dispo: Résumé  

Genèse:

Résumé: Dans un royaume magique situé sous la mer, une très jolie sirène prénommée Ariel souhaite quitter ce monde pour vivre sur Terre. Mais d'abord il lui faut défier son père, le roi des mers, …

Création: 26/7/2007 - Denver Center for the Performing Arts (Denver) - représ.



Musical
0007 - Aladdin (2011)
Musique: Alan Menken
Paroles: Chad Beguelin • Howard Ashman • Tim Rice
Livret: Chad Beguelin
Production originale:
4 versions mentionnées
Dispo: Synopsis  Commentaire  Génèse  Liste chansons  
Vidéos:  

Aladdin is a musical based on the 1992 Disney animated film of the same name with music by Alan Menken and lyrics by Howard Ashman, Tim Rice and Chad Beguelin. Beguelin also wrote the book. The musical includes three songs written for the film by Ashman but not used there and four new songs written by Menken and Beguelin. The story follows the familiar tale of how a poor young man discovers a genie in a lamp and uses his wishes to marry the princess that he loves and to thwart the Sultan's evil Grand Vizier.

Genèse: In November 2010 Alan Menken confirmed that a musical theatre adaptation of the movie was in the works with a book written by Chad Beguelin. The musical premiered in Seattle, Washington, at the 5th Avenue Theatre from July 7–31, 2011. Jonathan Freeman, who voiced Jafar in the film, played the role in the stage adaptation. Adam Jacobs and Courtney Reed played Aladdin and Jasmine. Additional cast included James Monroe Iglehart as Genie; Clifton Davis as the Sultan; Don Darryl Rivera as Iago; and, playing Omar, Kassim and Babkak, a trio of characters originally conceived by the film's creators but not used, were Andrew Keenan-Bolger, Brian Gonzales and Brandon O'Neill, respectively. The show was directed and choreographed by Casey Nicholaw. In 2012, productions of the musical played at the Tuacahn Amphitheatre in Ivins, Utah from June–October 2012 and the The Muny in St. Louis in July 2012. In 2012, Aladdin was staged in Manila, the Philippines at the Meralco Theater. Directed by Bobby Garcia and Chari Arespacochaga, it starred Tom Rodriguez as Aladdin and featured Aiza Seguerra as Genie. The musical was staged in Spanish in Bogotá, Colombia in 2013. Aladdin had a pre-Broadway tryout at the Ed Mirvish Theatre in Toronto, Ontario from November 2013 to January 2014. Nicholaw again directed and choreographed, with book and additional lyrics by Beguelin, scenic design by Bob Crowley, and costume design by Gregg Barnes. The musical premiered on Broadway on February 26, 2014 in previews and officially opened on March 20, 2014 at the New Amsterdam Theatre, taking the place of Mary Poppins. The show was nominated for five Tony Awards, winning one for Best Performance by a Featured Actor in a Musical for James Monroe Iglehart. The cast album was nominated for the Grammy Award for Best Musical Theater Album.

Résumé:

Création: 7/7/2011 - 5th Avenue Theatre (Seattle) - représ.



Musical
0008 - A Bronx Tale (2016)
Musique: Alan Menken
Paroles: Glenn Slater
Livret: Chazz Palminteri
Production originale:
1 version mentionnée
Dispo: Résumé  Génèse  
Vidéos:  

Based on the critically acclaimed play that inspired the now classic film, this streetwise musical will take you to the stoops of the Bronx in the 1960s—where a young man is caught between the father he loves and the mob boss he’d love to be.

Genèse: Pulsing with down and dirty doo-wop and big band swing, the music comes courtesy of Oscar, Grammy and Tony Award-winning composer Alan Menken, who has scored many of Disney's modern animation classics, including Beauty and the Beast, Tangled and Aladdin. Tony nominee Glen Slater (School of Rock, Sister Act) wrote the lyrics. The musical held its world premiere in 2016 at the Paper Mill Playhouse. In their review, The New York Times called it "an exceptionally slick and skillfully assembled musical", which "combines heart, humor and a flavorful atmosphere."

Résumé: Growing up in the Bronx, Calogero knows that there's one man who rules over the bustling Italian-American neighbourhood - mob boss Sonny. Their two paths meet unexpectedly one day, when Calogero witnesses Sonny carrying out a hit. Italian loyalty and a sense of self-preservation mean Calogero refuses to name names to the cops, and Sonny, impressed with the young kid's spirit, takes him under his wing. As Calogero grows older, and heads ever deeper into Sonny's undeworld, his father must try and wrestle him away from a life of crime.

Création: 1/12/2016 - Longacre Theatre (Broadway) - représ.