Musical (2015)

Musique: Karey Kirkpatrick • Wayne Kirkpatrick
Paroles: Karey Kirkpatrick • Wayne Kirkpatrick
Livret: John O’Farrell • Karey Kirkpatrick
Production à la création:

Set in 1595, the story follows the Bottom brothers, Nick and Nigel, who struggle to find success in the theatrical world, as they compete with the wild popularity of their contemporary William Shakespeare.

Welcome to the ‘90s - the 1590s - long before the dawn of premium tickets, star casting and reminders to turn off your cell phones. Brothers Nick and Nigel Bottom are desperate to write a hit play but are stuck in the shadow of that Renaissance rockstar known as The Bard. When a local soothsayer foretells that the future of theatre involves singing, dancing and acting at the same time, Nick and Nigel set out to write the world’s very first MUSICAL! But amidst the scandalous excitement of Opening Night, the Bottom Brothers realize that reaching the top means being true to thine own self… and all that jazz.

Act I
In the 1590s, at the end of the Renaissance, William Shakespeare is a rock god known as "The Bard". The Minstrel welcomes the audience to the period and tells about the inventions, accomplishments, and customs of the time with the help of the company ("Welcome to the Renaissance"). He tells us that "not everybody is getting what he wants", meaning Nick Bottom, who runs a theatre troupe with his brother Nigel. They are rehearsing for their upcoming play "Richard II", while Shakespeare is opening Romeo and Juliet. Lord Clapham, a patron who trusts the brothers and raises funds for their troupe, comes in to announce that Shakespeare is doing "Richard II", to which Nick is outraged because they are doing that same play, and Shakespeare has already done "Richard III" (Nick exclaims, "Who goes backwards?"). He rants about his hatred of Shakespeare to the troupe members, who are horrified ("God, I Hate Shakespeare"). Lord Clapham leaves, telling the brothers he is cutting them off unless they have another play by "the morrow".
Nigel and Nick go home to their small house, and on the way Nick encounters Shylock the Jew, an old man who wants to help fund the troupe, but Nick tells him it would be illegal. Bea, Nick's wife, tells them the events of her day and how she acquired their dinner as she serves it to them. They are saving up for a better life, and when Nick tries to open the Money Box, Bea smacks his hand away. Bea tells him how she could help them out in the troupe or in anything ("Right Hand Man"). Despite Nick's arguments, Bea goes out to do things that Nick claims are for men. As Nigel sleeps, Nick faces the real reason he hates Shakespeare: "The Bard" makes Nick feel self-conscious ("God, I Hate Shakespeare (Reprise)"). He wishes there was a way to top Shakespeare, and steals from the Money Box to see a soothsayer. He finds a soothsayer named Thomas Nostradamus, but just Nostradamus, not the Nostradamus, his uncle, a famous soothsayer. Nick asks him what the next big thing in theatre will be, and Nostradamus says that it will be "A Musical", a play where "an actor is saying his lines, and out of nowhere he just starts singing...." Nick thinks it is ridiculous but soon realizes how amazing it could be ("A Musical").
Later, Nick meets up with Nigel on the street, where Nigel meets Portia, a Puritan and the daughter of Brother Jeremiah. They immediately click. Nick tells him that he shouldn't pursue her because she is a Puritan. The Puritans leave and Nick tells Nigel what the soothsayer said, but neglects to tell him that it was not Nick's own idea. Nigel wants to do "The Brothers from Cornwall", the story of the two brothers' lives, but Nick declines it and says it has to be bigger, and decides to do "The Black Death". Lord Clapham watches the troupe perform the title song. He hates it and deserts the troupe.
Nigel sits down to try to write a new play. Portia sneaks out to see him, and they discover more about their similarities ("I Love the Way"). An invitation arrives for Nigel to "Shakespeare in the Park" and an after-party. Portia asks how he got it and he tells her that he sent one of his sonnets to The Bard for feedback. Nigel asks the messenger if Portia can be his "plus one".
In the park, Shakespeare performs for the people ("Will Power"). Nigel and Portia go to the after party, where Portia gets drunk. Shakespeare asks to read Nigel's journal of poems and writings, but Nick runs in and yells at the Bard for trying to steal Nigel's work, and at Nigel for being so naive and going to Shakespeare's party. Brother Jeremiah also runs in to find a drunk Portia and once again admonishes Nigel and her.
In a funk, Nick goes back to Nostradamus with what he has left of the money he stole from the Money Box. He asks Nostradamus to tell him what Shakespeare's new hit is going to be, and Nostradamus sees "Hamlet", but pronounces it wrong as "Omelet". He also sees that the main character as a Danish prince, but only the Danish part, which Nick takes to mean Danish pastry. He gets excited at the possibilities of his future and dreams of what it will be like, and in his fantasy crowds cheer for him and he has an argument with Shakespeare, which he wins and Shakespeare bows down to him ("Bottom's Gonna Be on Top").

Act II
The Minstrel welcomes us back and tells us of the stress that the Bottom brothers and Shakespeare are facing ("Welcome to the Renaissance (Reprise)"). We see into the life of Shakespeare and his stress firsthand ("Hard to Be the Bard"). A spy tells him that the brothers are trying to steal Shakespeare's new hit. Shakespeare is trying to find an idea for a new play, so he immediately jumps at the chance to find out what his new hit is going to be. He decides to disguise himself as "Toby Belch" and audition for the brothers' troupe.
Meanwhile, the troupe is practicing for "Omelette: The Musical" ("It's Eggs!"). Shylock has become their new investor, and Nick says that he is the guy who produces the money for the show to be produced. They cannot find a title for him, though. When some of the actors become suspicious of Nostradamus and why he is at their theatre, Nick does not want to reveal that he is a soothsayer, so he lies and says that Nostradamus is an actor. Shakespeare, as "Toby Belch", arrives at the theatre and is hired for the company. He is surprised to learn that his hit is about eggs.
Nigel sneaks out to London Bridge to see Portia, where he reads her another poem about his love for her. He worries about their future together, but Portia reassures him by saying that everyone, even Nick and Brother Jeremiah, will change their minds about their relationship when they hear Nigel's beautiful words ("We See the Light"). Nigel is not very happy with "Omelette" and claims that it doesn't feel right. Brother Jeremiah interrupts the lovers and takes Portia away to be shut up in a tower for her disobedience. Saddened by the loss of his love, Nigel becomes inspired to write a completely different play that is revealed to be Hamlet.
Nigel goes into the theatre the next day and tells Nick that "Omelette: The Musical" doesn't feel right to him and that he has started writing other things. They get into a large argument and Shakespeare tries to take advantage of their squabble to get his hit ("To Thine Own Self").
On the street, Nigel is feeling bad when Bea finds him and tells him that they should still trust Nick because they can always fall on him if they need ("Right Hand Man" (Reprise)).
Nick is having qualms about "Omelette: The Musical" as well, but he learns that the town lined up all the way around the theatre for tickets. He and the troupe prepare for the show ("Something Rotten!"). They perform a big dance number that has many references to modern-day musicals ("Make an Omelette"). Towards the end of the number, Shakespeare strays from the script and takes off his "Toby Belch" disguise ("Toby?" "Or NOT Toby!"), and then sues the brothers. The troupe and Nigel find out that Nostradamus is a soothsayer, and they are all horrified.
At the courtroom, Shylock, Nick, Nigel, and Nostradamus are being tried and Nick is sentenced to be beheaded. Bea comes in, disguised as a lawyer, and makes Nick confess that he stole from the Money Box, and tells the judge that beheading him would be redundant because he has already lost his head. She has made a deal with Shakespeare that they will be exiled to America ("To Thine Own Self" (Reprise)). She says that they always wanted a new country house and they are getting a house in a new country. Portia then arrives, having escaped the tower. She renounces her father's ideals and joins the Bottoms, Shylock, and Nostradamus in exile. They arrive in America and tell the audience of the new opportunities in the New World ("Finale"). Nick hears about the opening of Shakespeare's new masterpiece, Hamlet, to which Nostradamus replies "I was this close".

The musical began with an idea that brothers Karey and Wayne Kirkpatrick had since the 1990s. They finally joined with John O’Farrell to write several songs and presented those songs and a treatment to the producer Kevin McCollum in 2010. The team then joined with Casey Nicholaw, who brought in several of the actors, resulting in the workshop in 2014.
Something Rotten! was expected to have a pre-Broadway tryout at the 5th Avenue Theatre, Seattle, in April 2015. However, when a Broadway theatre became available, Kevin McCollum decided to open the show without the Seattle tryout. "David Armstrong, artistic director of 5th Avenue Theater, said...that after the positive buzz surrounding the musical’s workshop in October [2014], he and Mr. McCollum began discussing the possibility of the show bypassing Seattle in favor of Broadway." The developmental lab took place in New York City in October 2014 with Casey Nicholaw as director and choreographer.

Something Rotten! opened on Broadway at the St. James Theatre in previews on March 23, 2015, and officially opened on April 22. Directed and choreographed by Casey Nicholaw, the scenic Design is by Scott Pask, costumes by Gregg Barnes and lighting by Jeff Croiter.

Act I
"Welcome to the Renaissance" – Minstrel and Company
"God, I Hate Shakespeare" – Nick, Nigel, The Troupe
"Right Hand Man" – Bea, Nick
"God, I Hate Shakespeare (Reprise)" – Nick
"A Musical" - Nostradamus, Nick, Ensemble
"The Black Death" – The Troupe
"I Love the Way" – Portia, Nigel
"Will Power" – The Bard, Ensemble
"Bottom's Gonna Be on Top" – Nick and Company

Act II
"Welcome to the Renaissance (Reprise)" – Minstrel
"Hard to Be the Bard" – The Bard and Ensemble
"It's Eggs!" – Nick, The Troupe
"We See the Light" – Portia, Nigel, Brother Jeremiah, Nick, Ensemble
"To Thine Own Self" – Nigel, Nick, The Bard, The Troupe
"Right Hand Man (Reprise)" – Bea
"Something Rotten!" – The Troupe
"Make an Omelette" - Nick and Company
"To Thine Own Self (Reprise)" – Nick
"Finale" – The Company

Aucun dossier informatif complémentaire concernant Something Rotten!

Aucun dossier informatif complémentaire concernant Something Rotten!

Version 1

Something Rotten! (2015-04-St. James Theatre-Broadway)

Type de série: Original
Théâtre: St. James Theatre (Broadway - Etats-Unis)
Durée : 1 an 8 mois 2 semaines
Nombre :
Première Preview : 23 March 2015
Première: 22 April 2015
Dernière: 01 January 2017
Mise en scène : Casey Nicholaw
Chorégraphie : Casey Nicholaw
Producteur :
Star(s) :
Avec: Brian d’Arcy James (Nick Bottom), Christian Borle (The Bard), John Cariani (Nigel Bottom), Heidi Blickenstaff (Bea), Brad Oscar (Nostradamus), Kate Reinders (Portia), David Beach (Brother Jeremiah), Edward Hibbert (Lord Clapham / Master of Justice), Gerry Vichi (Shylock), Michael James Scott (Minstrel)
Presse : Les critiques sont bonnes:

"'Sophomoric' is the right adjective for 'Something Rotten!,' and presumably its creators wouldn’t have it any other way." Ben Brantley for New York Times

"The supremely silly 'Something Rotten!' is the musical love child of 'The Carol Burnett Show' and 'Forbidden Broadway.' In other words, this showbiz offspring has some darn fine DNA." Joe Dziemianowicz for New York Daily News

"A deliriously entertaining new musical comedy that is devilishly clever under its goofy exterior... Yep, this is a blockbuster." Elisabeth Vincentelli for New York Post

"'Something Rotten!' has established itself as Broadway’s funniest, splashiest, slap-happiest musical comedy in at least 400 years." David Cote for Time Out New York

"'Something Rotten!,' written by three guys making their Broadway debuts, is fresh and hysterical and irreverent. It's easily the funniest thing to arrive on Broadway since 'The Book of Mormon.'" Mark Kennedy for The Associated Press

"This is a big, brash meta-musical studiously fashioned in the mold of Monty Python's 'Spamalot,' 'The Producers,' and 'The Book of Mormon,' loaded with crowd-pleasing showstoppers, deliciously puerile gags and an infectious love of the form it so playfully skewers." David Rooney for The Hollywood Reporter

"Although comic desperation descends on the second act, it’s still a deliriously funny show." Marilyn Stasio for Variety

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