Captain Billy Buck Chandler wants to be the first to make a solo flight across the Atlantic. Edythe
Herbert, a champion swimmer, is being blackmailed by her wicked Russian manager who has some
compromising photographs of her . This devious baddy known as Prince Nikki (and secretly a spy) will get his
come-uppance, thanks to Billy’s airplane engineer, a rather butch lady called Mickey (who turns out to be a
secret agent). By then, however, Billy and Edythe have fallen in love, have crashed on a desert island (actually
Staten Island!), and have seen off a bootlegging Harlem minister and a tap-dancing philosopher called Mr
Just prior to out of town tryouts in Boston, the original director, Peter Sellars, was fired, with the musical director and arranger, the book writer, Tim Mayer, and set designer, Adrianne Lobel, dismissed soon after. Tommy Tune "nominally took over the direction with his co-choreographer Thommie Walsh, and Mike Nichols, Tony Walton and...Michael Bennett were brought in to help with the direction, choreography and set design."
My One and Only opened on Broadway at the St. James Theatre on May 1, 1983 and closed on March 3, 1985 after 767 performances and 37 previews. The musical was directed and choreographed by Tommy Tune and Thommie Walsh. The cast included Tune, Twiggy, Roscoe Lee Browne, Denny Dillon, Charles "Honi" Coles, and Nana Visitor. Notable replacements during the run included Sandy Duncan, Don Correia, Jeff Calhoun, and Georgia Engel.
The musical opened in the UK at the Chichester Festival Theatre and then opened in the West End at the Piccadilly Theatre in February 2002, starring Janie Dee as Edythe Herbert and Tim Flavin as Captain Billy Buck Chandler, with direction by Loveday Ingram and choreography by Craig Revel Horwood.
Cabaret singer and Gershwin historian Michael Feinstein served as the musical consultant for the project. An extensive review of the show's creation can be found in his book" Nice Work If You Can Get It" in a chapter entitled My One and Only Tommy Tune Fling.
There were several tours, all with Tommy Tune. The first was in 1985 with Sandy Duncan which started at the Kennedy Center in March 1985 and included a six week engagement in Japan. Lucie Arnaz replaced Duncan in this tour. Stephanie Zimbalist starred in the US national tour in 1987.
I Can't Be Bothered Now
Blah, Blah, Blah
High Hat/Sweet and Low
Just Another Rhumba
He Loves and She Loves
Strike Up the Band
In The Swim
Nice Work If You Can Get It
My One And Only
Kicking The Clouds Away
How Long Has This Been Going On?
Aucun dossier informatif complémentaire concernant My one and only
My one and only (1983-03-St James Theatre-Broadway)Type de série: Original
Théâtre: St. James Theatre (Broadway - Etats-Unis) Durée : 1 an 10 mois 1 semaine Nombre : 37 previews - 767 représentationsPremière Preview : jeudi 31 mars 1983Première : dimanche 01 mai 1983Dernière : dimanche 03 mars 1985Mise en scène : Tommy Tune • Thommie Walsh • Chorégraphie : Tommy Tune • Thommie Walsh • Producteur :
My one and only (2002-02-Piccadilly Theatre-London)Type de série: Original London
Théâtre: Piccadilly Theatre (Londres - Angleterre) Durée : 5 mois 1 semaine Nombre : 183 représentationsPremière Preview : samedi 09 février 2002Première : lundi 25 février 2002Dernière : samedi 03 août 2002Mise en scène : Loveday Ingram • Chorégraphie : Craig Revel Horwood • Producteur : Avec : Tim Flavin (Captain Billy Buck), Janie Dee (Edythe), Hilton McRae (Prince Nikki), Jenny Galloway (Mickey), Richard Calkin (Revd. Montgomery), Richard Lloyd King (Mr Magix), Paul J. Medford, Horace Oliver, Mykal Rand, Omar F. Okai, Kevin Brewis.Commentaires : This show started life as a revival of the Gershwins’1927 musical “Funny Face”, but by the time it opened in New York in May 1983 it had been given a new story, cut half the original songs and added numbers from other Gershwin shows); and had gone through 4 directors and 6 librettists. Given a new title, “My One and Only”, ran for 767 Broadway performances starring Twiggy and Tommy Tune. Its UK premiere was at Chichester in July 2001, and transferred to the West End. It generally received good notices, with special praise for the choreography but only managed 183 performances and a five month run.Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, “You come out tap-dancing on air, thanks to the addictive rhythms of the songs and music.”
MICHAEL BILLINGTON for THE GUARDIAN says, “The songs are delightful, the choreography first rate - and even if the show feels as if it has been assembled rather than actually created, it leaves us with a pleasantly comfortable glow.”
PAUL TAYLOR for THE INDEPENDENT says, “The show is dance-driven, with hit-and-miss (mostly hit) synchronised tap choreography”
CHARLES SPENCER for THE DAILY TELEGRAPH says it is a “warm, glamorous production” and goes on to say, “My One and Only looks like a splash hit to me.”
JOHN THAXTER for THE STAGE says, "Gorgeous, tuneful staging".
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