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Cagney (2016-03-Westside Theatre Upstairs-Off Broadway)Type de série: Original
Théâtre: Westside Theatre Upstairs (Broadway (Off) - Etats-Unis) Durée : 9 mois 1 semaine Se joue actuellementNombre : Première Preview : Wednesday 16 March 2016Première : Sunday 03 April 2016Dernière : Open end, ouvert actuellement jusqu'au Sun 08 January 2017Mise en scène : Bill Castellino • Chorégraphie : Josh Bergasse • Producteur : Avec : Robert Creighton (James Cagney), Jeffry Denman, Danette Holden, Bruce Sabath, Josh Walden, Ellen Zolezzi
Charlie and the Chocolate Factory (2017-03-Lunt-Fontanne Theatre-Broadway)Type de série: Original Broadway
Théâtre: Lunt-Fontanne Theatre (Broadway - Etats-Unis)
Durée : 8 mois 3 semaines Nombre : 27 previews - 305 représentationsPremière Preview : Tuesday 28 March 2017Première : Sunday 23 April 2017Dernière : Sunday 14 January 2018Mise en scène : Jack O'Brien • Chorégraphie : Josh Bergasse • Producteur : Avec : Christian Borle (Willy Wonka), Jake Ryan Flynn/Ryan Foust/Ryan Sell (Charlie Bucket), John Rubinstein (Grandpa Joe), Emily Padgett (Mrs. Bucket), Kathy Fitzgerald (Mrs. Gloop), F. Michael Haynie (Augustus Gloop), Ben Crawford (Mr. Salt), Emma Pfaeffle (Veruca Salt), Alan H. Green (Mr. Beauregard), Trista Dollison (Violet Beauregard), Jackie Hoffman (Mrs. Teavee), Michael Wartella (Mike Teavee)Presse : "Don’t expect a sugar rush from “Charlie and the Chocolate Factory,” the new musical that opened at the Lunt-Fontanne Theater on Sunday. This latest adaptation of Roald Dahl’s winningly sinister children’s story from 1964 is — thank heaven — no sweeter than the two film adaptations it inspired, starring Gene Wilder (1971) and Johnny Depp (2005). Then again, this big but tentative show — which features a book by David Greig and songs by Marc Shaiman and Scott Wittman — doesn’t burst with flavor of any kind, at least not during its exposition-crammed first act. Only in its second half does the show acquire a distinct taste, and it definitely isn’t confectionary." Ben Brantley for New York Times
"“Charlie and the Chocolate Factory” is a middle-of-the-road musical with a pale score, a flavorless book and a dearth of eye candy that could have at least made it a spectacle." Joe Dziemianowicz for New York Daily News
"For the most part, Jack O’Brien directs this dull, clunky adaptation of the book and movie with none of the wit of the former nor the dreamy wonder of the latter. Maybe kids will enjoy the gaudy design and veneer of sassy satire, but when you bite down, there’s only empty shell. Younger audiences can cheer, but adults are bound to conclude that Charlie is like what happens with an Everlasting Gobstopper: lots of sucking." David Cote for Time Out New York
"For those adults among us who prefer our cocoa confections bittersweet and extra-dark, that intro serves as a warning that Charlie and the Chocolate Factory, the perversely charmless new musical based on the classic Roald Dahl story, will have little to offer grown-up audiences. Kids might find more to enjoy in this frantic Frankenstein's monster of a show, but that doesn't make it less of a misfire." David Rooney for Hollywood Reporter
"It’s hard to predict how grownups might feel about this inflated musical adapted from previous stage and film treatments of Roald Dahl’s beloved novel, “Charlie & the Chocolate Factory.” (There’s scant evidence that anyone went back to the original 1964 book for inspiration.) Savvy kids, however, might stage a revolt after seeing how the uncanny darkness of Dahl’s imagination has been lightened and brightened in helmer Jack O’Brien’s mechanized production." Marilyn Stasio for Variety
Nerds (2016-04-Longacre Theatre-Broadway)Type de série: Original
Théâtre: Longacre Theatre (Broadway - Etats-Unis) Durée : 6 mois 1 semaine Nombre : Première Preview : Thursday 31 March 2016Première : Thursday 21 April 2016Dernière : Sunday 30 October 2016Mise en scène : Casey Hushion • Chorégraphie : Josh Bergasse • Producteur : Commentaires : Nerds' has taken its time getting to the Broadway stage. An early version debuted at the Beckett Theatre ten years ago, and following a thorough debugging process, reappeared in North Carolina in 2013. This Broadway production takes the innovative spirit of its main characters to heart by introducing progressive new technology to the New York stage. As well as on stage holograms, it boasts cutting edge app integrations, allowing the audience to interact with the action (and choose the show's ending) all through your cell phone.