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Version 1

Hamlet (2020-07-Young Vic Theatre-Main-London)

Type de série: Revival
Théâtre: Young Vic Theatre (Londres - Angleterre)
Salle : Main Stage
Durée : 1 mois 2 semaines
Nombre :
Première Preview : Monday 06 July 2020
Première : Monday 06 July 2020
Dernière : Saturday 22 August 2020
Mise en scène : Gregory Hersov
Chorégraphie :
Producteur :
Commentaires : Cush Jumbo (The Good Wife, The Good Fight) makes her Young Vic debut as a new kind of Hamlet for this generation.

Following a succession of award-winning productions together, she reunites with her long-time collaborator, director Greg Hersov, to bring us Shakespeare’s great tragedy about power, politics and desire, reimagined for today.

Version 2

Look back in Anger (1999-07-Lyttelton Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Lyttelton Theatre
Durée : 2 mois
Nombre : 51 représentations
Première Preview : Inconnu
Première : Thursday 15 July 1999
Dernière : Saturday 18 September 1999
Mise en scène : Gregory Hersov
Chorégraphie :
Producteur :
Avec : Emma Fielding (Alison), Wiliam Gaunt (Colonel Redfern), Jason Huges (Cliff), Michael Sheen (Jimmy Porter), Matilda Ziegler (Helena)
Presse : THE EVENING STANDARD says, "Look forward in pleasure as Osborne's angry hero is redeemed." DOMINIC CAVENDISH of TIME OUT says, "Michael Sheen gives us a Jimmy Porter who is fearsomely alive.." The headline in THE TIMES by BENEDICT NIGHTINGALE says, "Portrait in the attic is still a treasure." THE DAILY EXPRESS says, "The great achievement of Gregory Hersov's production is that it shows us Osborne's fabulous rant is still very much a going concern." THE DAILY MAIL says, "Sheen is simply exhilarating." THE FINANCIAL TIMES says, "In the theatre - certainly at the National Theatre, where it is now excellently revived - you see simply how brilliantly Osborne knew how to write a play." THE GUARDIAN says, "It is a good play precisely because Jimmy and Alison are well-matched opponents in the endless class war." THE INDEPENDENT says, "All in all, this perfectly paced production is nothing short of a revelation." However, David Blewitt of THE STAGE says, "It has become a period piece". And goes on to say, "The feel of the time is missing."